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Woodstock: 3 Days of Peace & Music Director's Cut (40th Anniversary Ultimate Collector's Edition and BD-Live with Amazon Exclusive Bonus Content) [Blu-ray]
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Woodstock: 3 Days of Peace & Music Director's Cut (40th Anniversary Ultimate Collector's Edition and BD-Live with Amazon Exclusive Bonus Content) [Blu-ray]

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Description:

This director's cut of Woodstock: 3 Days of Peace & Music, released to coincide with the 40th anniversary of that legendary concert event, has to be one of the most impressive Blu-ray releases of 2009 or any other year--and that's even before you put the discs in your player. The box is designed to resemble a faux fringe jacket (with an iron-on patch attached), and inside are all manner of shiny bells and whistles, including a lucite paperweight with images from the event, a reprint of LIFE Magazine's original festival feature, and reproductions of various Woodstock memorabilia, right down to notes left by concertgoers ("Please meet me in front of stage. I have your insulin pills") and a three-day ticket to the event. And hey, if you're looking for subtitles in Finnish, Thai, or Polish, you've come to the right place.

The movie itself now weighs in at nearly four hours long, and is presumably the way director Michael Wadleigh wanted it in the first place. The Blu-ray transfer is definitely an upgrade, as is the soundtrack, which was originally recorded on 8-track tape under less-than-ideal conditions. (Using modern digital technology, audio engineer Eddie Kramer, who was hunkered down in what passed for a recording booth at the Woodstock site, has painstakingly restored the soundtrack--even bringing in some of the musicians to re-play their original parts, as on Santana's "Evil Ways," one of the previously unreleased bonus performances. Considering that the event is something of a sacred cow by now, this trick may strike some as blasphemous. Then again, this is hardly the first time that a live concert recording has been sweetened, re-recorded, or otherwise enhanced. In fact, it'd be hard to find one that wasn't. And the additions would have gone largely unnoticed if we hadn't been told about them.) In the end, though, there’s only so much improvement possible, and Woodstock was never about technical brilliance anyway. Nor was it mostly about the music, either. Nor was it mostly about the music, either. There are some terrific performances, from acoustic numbers by Richie Havens and Crosby, Stills & Nash to powerful electric contributions from Santana, Sly & the Family Stone, and Joe Cocker. But the truth is that Monterey Pop, which happened two years earlier, was the more exciting concert, and of the several artists who appeared on both bills (including Jimi Hendrix, Janis Joplin, the Who, Jefferson Airplane, and others), all of them made better music at the California festival. But Woodstock was always less a concert than an overall cultural happening, and Wadleigh and his crew, often employing an effective split-screen technique, do a superb job of corralling and conveying the remarkable atmosphere and spirit of it; you didn't have to be there to recognize that this was the zenith of the Age of Aquarius (it was also the twilight; with Altamont looming, things would never be this peaceful and idealistic again).

Of principal interest on the second disc will be two hours of additional musical performances, including both additional tunes by those who are in the main feature and appearances by five artists who for various reasons (ego, money, quality, time) never made it into the film at all; of the latter, Creedence Clearwater Revival is excellent, Paul Butterfield and Johnny Winter are good, Mountain is mediocre, and the Grateful Dead, with an interminable (38 minutes!) "Turn on Your Love Light," are awful (a special Blu-ray-only feature lets users organize this material as they see fit). Meanwhile, "From Festival to Feature," a new, hour-long look at the making of the movie, is absorbing and minutely detailed. The Amazon-exclusive content (included on disc 2) is an additional 20 minutes of never-before-seen performance footage in high definition from Grateful Dead, Jefferson Airplane, and Country Joe and the Fish plus three bonus featurettes. --Sam Graham

Product Description
1969 was a year unlike any other. Man first set foot on the moon. The New York Mets won the World Series against all odds. And for three days in the rural town of Bethel, New York, half a million people experienced the single most defining moment of their generation; a concert unprecedented in scope and influence, a coming together of people from all walks of life with a single common goal: Peace and music. They called it Woodstock. One year later, a landmark Oscar®-winning documentary captured the essence of the music, the electricity of the performances, and the experience of those who lived it. Newly remastered, the film features legendary performances by 17 best selling artists.


Stills from Woodstock: 3 Days of Peace & Music Director's Cut


Product Details:
Actors: Joan Baez, Creedence Clearwater Revival, Joe Cocker, Country Joe McDonald, Crosby Stills & Nash
Director: Michael Wadleigh
Subtitle: English, French, Spanish, Chinese, Danish, Dutch, Finnish, German, Italian, Korean, Norwegian, Polish, Portuguese, Swedish, Thai
Number of Discs: 2
Studio: Warner Home Video
Blu-ray Release Date: June 09, 2009
Average Customer Rating: based on 274 reviews
Customer Reviews:
Average Customer Review: 4.0
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5Love this thing!Aug 04, 2010
As far as my first purchase on Amazon goes, I love this documentary. I wanted it on Blu-Ray and axon was the only place I could find it at the most inexpensive price.
So many extras and novelty accessories just give this great film it's gold lining.

3Advertised as new, doubtful it was newJul 25, 2010
I enjoyed the DVD, but this was advertised as new. Some of the packaging was ripped and it clearly was not wrapped in original condition. This item had been unwrapped. Decent price and I still may have bought it, but it is nice to get things that are true to their advertisement.

0 of 2 found the following review helpful:

4Woodstock: 3 Days of Peace & Music Director's Cut (40th Anniversary Ultimate Collector's Edition and BD-Live) [Blu-ray]Jun 25, 2010
Only bought this by nostalgie music and ambiance. Nice music for the fourties and up.

1 of 3 found the following review helpful:

5The cradle of the modern worldJun 25, 2010
This four DVD collection is essential: the director's cut of the film, one DVD of extra music and one DVD of interviews. This last DVD is interesting for the technical details and all the material conditions. It is anecdotal and somewhere it misses the essential point: the music - as a representative of the world - of the twentieth century has been through a revolution and Woodstock is the first demonstration (like in science and mathematics) of the total jump of the whites in America, slightly after the British and the Europeans, into endorsing that new music. To find what is so original in that new music is not that difficult today if we have followed the vast research in the whole world about music all along human history. Listen to the DVDs or to the CDs and you will find out that this music has one characteristic that unifies all the styles or nearly: it is polyrhythmic. It is so obvious that discussing the point is pointless. Back in Europe and in the 20s and 30s there had been some attempts in "classical" or "symphonic" music to produce polyrhythmia but it had failed to conquer the vast popular public. Popular music was entirely locked up in good old songs and good old monorhythmia. What is polyrhythmia that Mr. Word's Dictionary refuses? It is the fact that a superficial and traditional rhythmic line, generally binary or ternary, covers up and is articulated upon a far faster rhythmic line that can run in multiples of two or three. That faster rhythm can be carried by the modern drums (where do they come from?) or contained in the singing or in the melodious line of one particular instrument, the bass or the lead guitar used as a rhythmic accompaniment. That was invented in the United States of America and was the consequence of a social, political and geo-demographic phenomenon known as the slave trade and slavery. In Africa, music is originally polyrhythmic and the instruments they used are drums and percussions of many very different types from the tam-tam to the water drum. The slower rhythm is the one to which most people dance and the faster rhythm is magic in a way since it can lead to a trance, to vodun (or voodoo) illumination, with or without the help of alcohol or other substances. The Blacks arrived in America and kept their rhythm, their music and used it all the time in the fields. That will produce black music whose first fully developed form will be jazz. Jazz will become a hit thanks to the radio but jazz requires a new instrument, the modern drums of our bands. They more or less took all the instruments from the European tradition and just associated them so that one person could use both hands and both feet to create a rhythmic universe that was by definition polyrhythmic. From Jazz to rock and roll and modern popular music there is only about twenty to thirty years. The radio will make it popular everywhere in the world, would I say, and then television added its own two bits. The whites learned it and started producing their own, the British being ahead with the first bands that managed to move vast audiences and to spread everywhere in the world. The Americans were just going to follow that road. Woodstock is the first time in American history that such a mass of essentially white people gathered to listen to that kind of music, white, black or latino musicians together. That music is polyrhythmic and that creates a mental way of thinking that is interesting. The brain can naturally think and work along several lines at the same time, but if you make it a requirement, a style, a way of thinking it clearly implies people who are different can dance together, can mix and be together. That music is mentally, psychologically, and even psychically multiple and if two, three or four rhythms can live together why should we segregate among people any group as opposed to another, even any gender as opposed to the others. Equality in total diversity, guaranteed diversity in the very recognition of the differences of the others and the particularity of myself as not opposed, not compared but simply contrasted to the others. The world was becoming a symphony of all kinds of things and in the human sphere anything that appeared as a limit was to be gotten rid of. Even grammar for some was fascist. Good riddance. Every single particularity I decided for myself or I assume in myself became a choice and implied that I was myself and unique and that all other human beings around me were themselves and unique and that we could all live in total peace and fraternity or brotherhood or sisterhood or sorority by assuming all these differences and by letting them come to the surface of our life, to the conscience of our brains, to the reality of our existence. The First amendment became the central axle of this new world perfectly in phase and harmony with that polyrhythmic music I am talking of. In other words this polyrhythmic vision is the direct production and embodiment of that first amendment. It became the music of the people for the people by the people. We were leaving Gettysburg behind in history and making it into our flag, banner, motto, ethics. Are we conscious of what I am explaining? Of course not, otherwise I would not have to explain all that. So celebrate Woodstock as the turning point in human history that would never have been possible without the bringing of millions of black Africans to America, even if that was a crime against humanity, and without the globalization that started as soon as Auschwitz was liberated, quite a few years ago.

Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 8 Saint Denis, University Paris 12 Créteil, CEGID


5Worth it for the added footageJun 25, 2010
I bought this on a gold box deal for a great price and enjoy both the added footage and the extra performances made it worth the purchase. There are probably 20 additional songs included. I particularly enjoyed CCR as I had never seen footage of them performing. The quality of the footage is pretty amazing given it's age.

On the other hand, I could have done without all the cute extras - ticket replicas and other trinkets. While I appreciate the thought, I'm becoming space challenged with my DVD,CD and Blu Ray collection and this boxed set takes up room of at least 5 standard DVDs. Perhaps not a fair criticism, but I didn't deduct any stars for this. As far as I can tell, the blu ray version is only available with these extras.

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